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English translator's foreword to Crusade Against the Grail

Otto Rahn crusade agains the grail


WHEN URBAN VERLAG IN FREIBURG published the first edition of Crusade Against the Grail [Kreuzzug gegen den Gral] in 1933, the book was not an immediate bestseller. But its eloquence deeply moved those who read it. One so moved was Albert H. Rausch, the 1933 Georg Biichner prizewinner who published under the pseudonym Henry Benrath. Rausch wrote an introduction for the book called Kreuz und Gral [Cross and Grail], which eventually appeared in the Baseler Nachrichten later in the year.

Perhaps this was why Hans E. Gunther Verlag in Stuttgart decided to republish the work in 1964 under the supervision of Karl Rittersbacher, a disciple of Rudolf Steiner's Theosophical Society. Rittersbacher's edition coincided with the twenty-fifth anniversary of Otto Rahn's death in the Tyrolean Mountains. Over the years, some very successful books have named Crusade as a key source, although, oddly, it was never translated into English. Now, seventy-three years after its initial publication, we owe this first English language edition to Verlag Zeitenwende in Dresden and Inner Traditions in Vermont—and my wife's indulgence.

The book's author, Otto Rahn, was twenty-eight at the time of its publication. Anchoring his work in the poetry of the troubadours, he hoped to resolve the legend of the Grail and surpass Heinrich Schliemann, the celebrated nineteenth century German archeologist who had used Homer's Iliad to locate ancient Troy. "To open the gates of Lucifer's kingdom," Rahn would write, "you must equip yourself with a Dietrich [skeleton key] ... I carry the key with me."

Rahn was convinced that Wolfram von Eschenbach's thirteenth century epic Parsifal provided him with the key that would unlock the mysteries of the medieval Cathars and their heretical, dualistic form of Christianity, which venerated something called the Mani. According to Rahn, the characters described by Wolfram were not the products of an old troubadour's imagination; they were clearly identifiable as Albigensian Cathars, and their story would guide him to their lost treasure—the Gral (Grail).

Skillfully blending legends and tales, oral history, religion, art, and colorful depictions of one of the most beautiful parts of Europe—the region of southern France that is still known as "the land of the Cathars" [le pays des Cathares]— Rahn describes the brutality of the Papal crusade against southern France and the repression of the Albigensian sect by the Inquisition. The Vatican and Royal Paris combined to destroy Occitan civilization in the first genocide of modern history because the Cathars had worshipped the Mani or Grail and rejected the cross. According to some estimates, this crusade killed nearly a million people. As his translator, I have tried to be as faithful as possible to Rahn's text. Whenever possible, personal names appear in their original Provencal form. Respecting Rahn's desire for academic scholarship, I have restored and reedited his notes, adding new sources along the way that either correct or reinforce his assertions. When necessary, I have checked my own Middle German translations with Professor A. T. Hatto's wonderful version of Parzival. The result may be unconventional for mainstream medievalists, but it should be remembered that this daring work is based on solid research in France's prestigious Bibliotheque Nationale, and that early editions included a thorough bibliography. To the best of my knowledge, this is also the first time that parts of Nikolaus Lenau's melancholic poem Die Albigenser (1842) have appeared in English. Lenau, considered Austria's chief lyric poet, was a pseudonym for Nikolaus Niembsch Edler von Strehlenau (1802-1850), an Austrian aristocrat who was born in Hungary. Basing his verses on historical research, Lenau wrote in a letter that "the subject fascinates me," and "my courage is great. . . for all, I hope that God looks benevolently on this work." According to Lenau's biographer Anastasius Griin, the task was easily completed, although the poet's mind failed in 1844. He died in an asylum.

In other important passages, Rahn calls upon the prophetic thoughts of Goethe (1749-1832) and Novalis (1772-1801) to help us understand the moral and political confrontation between the Cathars and Roman Catholicism. This clash marked the end of an era of individual spiritual experimentation and the beginning of an epoch of pious strangulation, which is personified in Crusade by the vicious thirteenth century Dominican Inquisitor Bernard Gui. Gui's famous handbook for interrogators is an important if highly flawed source of the little knowledge we have of the Albigensian sects. Like the Italian semiotician Umberto Eco, who used the sadistic character of Gui many years later in his book The Name of the Rose (1984), Rahn contrasts Cathar spiritual freedom with the Inquisition's cruel techniques as a bizarre symbol of "the gloss of stifling authority." Just recently, Gui's book, Le Livre des sentences de l'Inquisiteur Bernard Gui (1308-1323)—better known as The Inquisitor's Manual—was republished in French under the supervision of Annette Pales-Gobillard, although, perhaps as a sign of the times, an English translation is not planned. The Romantic period of the 1840s, which saw revolutions sweep across Europe in 1848, coincided with the 600th anniversary of the fall of the Cathar fortress of Montsegur. Many republican revolutionaries saw the Cathars as the forerunners of the anticlerical radicals who stormed the Bastille in 1789. Momentarily freed from the censorship of reactionary Catholicism, many academics took a fresh look at the Cathars' tragic story, and this renewed interest in the Albigensian crusade provided Rahn with several important cornerstones for his book.

Prominent among these works are the monumental five volumes of L'Histoire des Albigeois (1870-1881) by Napoleon Peyrat (1809-1881). An authentic Romantic historian in the tradition of Michelet, the Ariege-born Peyrat became a Protestant pastor in 1831, and was close to the anticlerical poet Beranger. His first major work, Les Pasteurs du desert (1842), deals with the revolt of the Protestant camisards and cevenols in the seventeenth century. Curiously, just like Otto Rahn, Peyrat was convinced that he was descended from Cathar heretics. This obsession led him to spend forty years researching and writing the history of the Cathars (the last volume of L'Histoire des Albigeois was published posthumously). Although Peyrat certainly popularized the fortress of Montsegur as the symbol of Cathar resistance, his works, like Rahn's book, are well supported by solid research in the archives of the Inquisition that are still kept in Carcassonne.

Rahn's theological ideas were greatly influenced by Ernest Renan (1823- 1892). The beliefs he expressed in his series, L'Histoire des Origines du Chretianisme [The History of the Origins of Christianity], which included his most famous work, La Vie de Jesus (1863), were quite close to the liberal Protestant school (David Friedrich Strauss and others). A tremendous success, La Vie de Jesus sold nearly 5,000 copies per week. But Catholics were enraged: between 1863 and 1864, an incredible 300 books and booklets were published denouncing his "blasphemy" and "mistakes." But the book was published again and again; today, forty-five different editions have come out, with the most recent appearing in 2005.

Another important source from this period was Beitrage zur Sektengeschichte des Mittlealters [Essays on the History of Sects in the Middle Ages] (1890) by the Bavarian theologian Ignaz von Dollinger (1799-1890). The son of a medical professor, Dollinger was elected in 1848 to the liberal National Assembly in Frankfurt, where he defended the separation of church and state. Vehemently opposed to the doctrine of Papal infallibility, he took part in the first Vatican Council in 1869-1870. Although the Pope excommunicated Dollinger on April 17,1871, he was named rector of the Munich University in 1872. Today, he is remembered as a pioneer of the German ecumenical movement.

Otto Wilhelm Rahn was born in 1904 in Michelstadt in the German state of Hesse, an area brimming with tales of medieval chivalry. Rahn's father Karl introduced his son to the legends of Parzival, Lohengrin, and naturally Siegfried and the Nibelungenlied during their walks in the Odenwald forest. Rahn later explained, "My ancestors were pagans, and my grandparents were heretics." His family's home was not far from Marburg am Lahn, where the insidious Inquisitor Konrad had terrorized the court of the Landgrave of Thiiringia in the thirteenth century. Rahn long considered writing a historical novel about the "magister," who was responsible for (among other things) beating the Landgrave's wife (later Saint) Elizabeth of Hungary to death and burning hundreds of German Cathars at the stake before a group of knights killed him.

Rahn's favorite professor, Baron von Gall, a lecturer in theology at the University of Giessen, greatly impressed him with his descriptions of the tragedy of Catharism. Rahn wrote, "It was a subject that completely captivated me." After obtaining his bachelor's degree in 1922 and pursuing further studies at the Universities of Heidelberg, Giessen, and Freiburg, Rahn was ready to begin his travels abroad. When a French family invited him to visit Geneva in 1931, he gravitated to the French Pyrenees to begin his own investigations. Before leaving for the south of France, Rahn asked a Swiss friend, Paul- Alexis Ladame (1909-2000), to accompany him because Ladame had some experience in speleology and mountaineering. He was also descended from an old Cathar family (the name was originally La Dama) that escaped from Beziers to Switzerland during the crusade. We owe a lot to him. Long after his friend's death, Ladame wrote down his vital recollections of Rahn and their Pyrenean explorations in several entertaining works. His last work, Quand le Laurier Reverdira, recalled a Cathar adage: "In 700 years, when the laurel grows green again" [al cap de set cent ans, lo laurel verdejara]—the final words of the last Cathar Perfectus, Guilhem de Belibaste, before he was burned alive. Accompanied at times by Rahn's friend and mentor, Antonin Gadal, they conducted extensive explorations of the Montsegur area. In the grottoes of the Sabarthes they were thunderstruck when they visited a huge cavern called "the Cathedral" by the locals. In it were a large stalagmite called "The Altar" and another known as "The Tomb of Hercules." The forest around the legendary castle of Muntsalvaesche was called Briciljan. Near Montsegur is a small forest called the Priscilien Wood. As evidence accumulated, the Wagnerian mists cleared: Wolfram had based his story on fact. Rahn confidently proclaimed that the fortress castle of Montsegur in the French Pyrenees was the Temple of the Grail, and that mystical Cathar Christianity, based on the veneration of the Holy Spirit as symbolized by the Mani, was the Church of the Holy Grail. The gates of Lucifer's kingdom had been thrown open; the result was Crusade Against the Grail. Soon the book came to the attention of the leaders of the Third Reich. According to Ladame, Rahn explained that he had received a mysterious telegram while he was in Paris. As usual, he was depressed because he was having difficulty finding backers for a French translation of Crusade. The person who wrote the telegram did not give his name, but offered Rahn 1,000 Reichsmarks per month to write a sequel to the book. A little later, money was wired to Paris so that he could settle his affairs in France and return to Germany to a specific address in Berlin: 7, Prinz Albrechtstrasse. When Rahn finally turned up, he was shocked to learn that the telegram's sender was none other than Heinrich Himmler! The head of the SS welcomed him personally and invited the young author to join the SS as a civilian historian and archeologist. Rahn later told Ladame, "What was I supposed to do? Turn him down?"

In an effort aimed at reinforcing National Socialist ideology, the SS was organizing expeditions all over the globe to trace the origins of the Indo- Europeans. Dr. Ernst Schafer led a famous German-Himalayan expedition to prove that Tibet was the cradle of the Arya, and to investigate the legend of the "Abominable Snowman." Another expedition visited the South Pole and studded the polar cap with small swastika flags. An elderly colonel in the former Austro- Hungarian army, Karl Maria Wiligut, better known as "Weisthor," became Himmler's esoteric "lord" of runology. At Wiligut's insistence, Rahn participated in a German expedition to Iceland to research the origin of the Eddas and the birthplace of Stalde Snorri Sturluson—despite the fact that he was becoming disaffected with the Nazi elite.

Thanks to his position as Himmler's archaeologist specializing in the legend of the Grail, Rahn had become a sort of Nazi shooting star, giving lectures and radio talks about his explorations. But gradually, almost imperceptibly, he began to move in circles that were openly opposed to the regime. This came to the attention of Adolf Hitler at least once, when Rahn invited regime opponents like the post- Romantic composer Hans Pfiztner to the 1938 inauguration of the Haus der deutsche Kunst in Munich. Rahn's friendship with Adolf Frise must have also come to Himmler's attention; Frise, whose real name was Adolf Altengartner, was the publisher of Robert Musil's famous novel A Man Without Qualities. The author was living in exile in Switzerland, bitterly opposed to the Nazis and Hitler's Anschluss that had incorporated their Austrian homeland into the Nazi Reich. Rahn's second book, Luzifers Hofgesind, eine Reise zu den guten Geistern Europas [Lucifer's Court, a Journey to Europe's Good Spirits], appeared in Leipzig in 1937; it remains controversial to this day. The intinerary of his European journey included Bingen, Paris, Toulouse, Marseille, Milan, Rome, Verona, Brixen, Geneva, Worms, Michelstadt, Burg Wildenberg near Amorbach, Giessen Marburg Goslar, Cologne, Berlin, Warnemunde, Edinburgh, Reykyavik, and Reykholt. In the book, Rahn does not identify Lucifer with the Devil; for him, Lucifer was the Pyrenean Abellio or the Greek God Apollo—all bearers of light. Nevertheless, the book contains at least one passage that is openly anti- Semitic, which led Paul Ladame to conclude that the Nazis had tampered with the final draft of the manuscript. Many years later he was quoted as saying, "Otto Rahn would never have written that." Apparently, Rahn dictated much of the book to his secretary, who was keeping an eye on his activities for Himmler. More and more, Rahn yearned for a golden renaissance of traditional values based on the unity of France and Germany under neo-Cathar beliefs, and opposed the pernicious policies that were leading Europe to war. He was convinced that the intolerance inherent in the Old Testament was essentially responsible for the constant cycles of ethnic and genocidal violence throughout history. In fact, there is a strange symmetry between Hitler's war, which resulted in the Holocaust, and the Papal crusade against the Cathars, which obliterated Occitan civilization. After apparently quarreling with Himmler (which led to a tour of duty as a camp guard as punishment), amid accusations of homosexuality and possible Jewish heritage, he resigned from his post early in 1939. He wrote, "There is much sorrow in my country. Impossible for a tolerant, liberal man like me to live in the nation that my native country has become."

Trapped and overpowered by a malicious culture, Otto Wilhelm Rahn died in the snow of the Wilderkaiser on March 13, 1939, almost the anniversary of the fall of Montsegur. An apparent suicide, he ended his life in the style of the ritual Cathar endura. When he learned of Rahn's death, Antonin Gadal wrote, "Otto Rahn's suffering was over." Rahn was buried in 1940 in Darmstadt. As Karl Rittersbacher concluded, "the transit of this soul, in eternal search for a new and desired spirituality that he could not find on Earth, reminds me as if a benevolent angel of death had brought him the consolamentum."

As he explains in his prologue to Crusade, Otto Rahn did not wish to point an accusing finger. For multiple reasons he wanted to chart a new path toward the future—and come to terms with human destiny. By addressing such problems as our own mortality, so essential to the human condition, Crusade contains a powerful message for our greedy and narcissistic society. "For some time now, I have resided in the mountains of the Tabor. Often, deeply moved, I have wandered through the crystal halls and marble crypts of the caves of the heretics, moving aside the bones of 'Pure Ones' and knights fallen in 'the fight for the spirit,' my steps echoing on the wet floor in the emptiness. Then I stop—listening— half expecting a troubadour to sing a sonnet in honor of the supreme Minne, that sublime love that converted men into gods." Perhaps it shouldn't come as a surprise, but Rahn's medieval world resembled that of his time, and our own, in its moral hypocrisy. With a remarkable sense of drama, he shows how the Cathars' genuine values were totally irrelevant to the despotic Pope and his power-hungry henchmen. He constantly contrasts the depravity of the Holy See and Saint Dominic's instrument for repression—the Inquisition—with the symbolic purity of the Grail. And yet, throughout the book, the mystery of the Cathar Mani or "Gral" lacks a single, sharply defined description. What was it?

In Parzival, Wolfram describes how a Kabbalistic astronomer named Flegetanis described the Gral as a "stone from the stars" to another Minnesinger named Kyot who in turn related the story to Wolfram. Frequently, I have deliberately left the spelling of "Grail" in its middle German equivalent to emphasize that we are dealing with the legend of a "grail," and not the Holy Grail, the chalice that Joseph of Arimathea used to catch the blood of Jesus when he died on the cross. Like many others, Rahn was convinced that the founders of the church simply Christianized a pagan symbol. In Crusade, Rahn develops the Grail into an icon for the survival of the human soul. In this way, he is able to convey its dazzling yet indefinable power over the Cathars. Robert Graves wrote, "Symbolism or allegory is 'truer' than realism in that the former allows more possibilities or interpretations. And more possibilities—implying greater freedom and less context dependence—translate to a greater truth. Accordingly, it has been said, 'The more numerous the poetic meanings that could be concentrated in a sacred name; the greater was its power.'" In this way, the Gral is perhaps the most powerful symbol of all for a simple reason: nobody has ever seen it. Finally, in an age when we all have a stake in overcoming the scourge of extremism, I am hoping that the publication of Rahn's book may provide an important contribution. The English-language publication of Crusade Against the Grail would not have been possible without the help of many people who encouraged me to undertake this project.

In France, I would to thank French philosopher, author and magazine editor Alain de Benoist, and author and medievalist Andre Douzet, who is the driving force behind the Societe Perrillos for their help. As always I must thank the world's foremost experts in the art and wisdom of the Catalan surrealist Salvador Dali, Robert and Nicolas Descharnes, who always do their best to steer me in the right direction.

In the Anglo-Saxon publishing world, there were very few voices of encouragement, which of course makes these acknowledgments even more poignant: Barnaby Rogerson of Eland Publishing in London, Gilles Tremlett at The Guardian's bureau in Madrid, and Michael Moynihan, the publisher and editor of Dominion Books, deserve special recognition. Finally, special thanks are reserved for Sven Henkler at Verlag Zeitenwende in Dresden, Jon Graham of Inner Traditions, Ronald Hilton, Professor Emeritus at Stanford University, and Anne Dillon, my editor at Inner Traditions for her patient dedication. And most important of all, without the understanding and patient support of my wife Eva Maria, my own quest to see this book published would never have succeeded.

About the translator CHRISTOPHER JONES

Christopher Jones is a historical scholar, translator, editor, and documentary producer. A contributing scholar to Scribner's Encyclopedia of Europe, he is a member of Ronald Hilton's WAIS historical discussion forum at Stanford University, the editor of White Star publishers' Adventure Classics 2006 reissue of William Bligh's Mutiny on the Bounty, and the editor and translator of Robert Descharnes' Dali: The Hard and the Soft and Descharnes' memoir, Dali: The Infernal Heritage.

During the translation of Crusade Against the Grail, Jones retraced Otto Rahn's footsteps in the Pyrenees, exploring the caves and grottoes of the Cathars just as Rahn had done. Jones is also a translating Otto Rahn's second book, Lucifer's Court: A Journey in Search of Europe's Good Spirits.