Parsival

Si le Graal est un symbole phare — aussi mystérieux que fascinant — de la mythologie et de l’inconscient collectif européens, Croisade contre le Graal appartient à la famille — peu nombreuse — des ouvrages mythiques, des livres cultes. Depuis sa parution (1933 en Allemagne, 1934 en France), il a guidé des générations de rêveurs vers les cimes ariégeoises, en général, et le château de Montségur, en particulier. Régulièrement réédité des deux côtés du Rhin, il est régulièrement épuisé et recherché. Adversaires et partisans des thèses développées par Otto Rahn, tous s’accordent sur un point: Croisade contre le Graal a largement contribué à l’engouement touristique pour les Pyrénées cathares.

I recently visited the former South of France residence of the legendary Grail hunter Otto Rahn, only to discover that it was scheduled to be demolished, thus ending an era, and prompting this memorial.

I believe Otto Rahn (1904-1939) was a hero; the real Indiana Jones and prototype for Dan Brown’s Robert Langdon character. A tireless explorer, Rahn was a gifted researcher, committed to the quest like no one before, or since. Quite simply, he was a grail hunter extraordinaire.

Rahn was obsessed with the Cathars, and was convinced that their treasure remained hidden in the shadowy crevasses of the Pyrenees. His research led to Montségur, which he believed to be Munsalvaesche, the Mountain of Salvation of Wolfram von Eschenbach’s epic grail romance, Parzival. Not surprisingly, the entire region around Montségur soon became Rahn’s esoteric playground.

This book and its companion volume, Crusade against the Grail, are about as close as we can get to an “authoritative” statement of the esoteric dimension of the Nazi regime in Germany. The publication of the Crusade book in 1933 persuaded SS leader Heinrich Himmler to invite its author, Otto Rahn (1904-1939), to work for the SS as a folklorist. As the book under review here also does in part, that work developed the thesis that the doctrines of the medieval Cathars of Provence were encoded into Parzival, Wolfram von Eschenbach’s 13th-century version of the Grail legend. Rahn later became a member of the Ahnenerbe (“ancestral heritage”) bureau of the SS, in whose employ he finished Lucifer’s Court.

As Indiana Jones returns to our screens, John Preston looks at the Nazi archaeologist who inspired Spielberg's hero, and finds a story more bizarre than anything the director could have dreamt of

 Very little is certain in the short life of Otto Rahn. But one of the few things one can with any confidence say about him is that he looked nothing like Harrison Ford. Yet Rahn, small and weasel-faced, with a hesitant, toothy smile and hair like a neatly contoured oil slick, undoubtedly served as inspiration for Ford's most famous role, Indiana Jones.

Like Jones, Rahn was an archaeologist, like him he fell foul of the Nazis and like him he was obsessed with finding the Holy Grail - the cup reputedly used to catch Christ's blood when he was crucified. But whereas Jones rode the Grail-train to box-office glory, Rahn's obsession ended up costing him his life.